![]() In short, film montage editing is when you cut together images to create a fast paced sequence. This scene uses a mix of metric, rhythmic and tonal, which makes it an example of an over tonal film montage. In turn, the fast pace fits the panic on the screen, creating the emotion of terror. When the montage starts, the editor creates a metric rule of 1 second per shot. In Psycho’s famous shower sequence, a woman is stabbed to death whilst in the shower. According to Eisenstein, these lions represent the people of Russia who have awoken and are now ready for revolution. After the camera cuts to a series of lion statues, the first is asleep, the second is awake and the third stands up. A woman gets shot, and her pram falls down a flight of stairs. In the scene above, there is chaos when an army attacks people on the street. In this soviet montage, we see a mix of rhythmic and intellectual cuts. Also, the use of repeating the shots and fast timing adds to the film’s comedic style. This reveals new information to the audience at a very quick pace. In this sequence, a metric montage of 1 second long shots shows three plans on how to tackle the zombie apocalypse. You can find several film montage examples in Edgar Wright’s Shaun of the Dead (2004). It’s also cut to the pace of the music, which helps create feelings of enthusiasm for Rocky. The shots are in the correct order of events but their shot length differs. Its purpose is to speed up time and show Rocky’s training progress. This is an example of a rhythmic montage. Perhaps the most famous film montage is the Rocky training sequence. In this type of montage, the shots also do not have to make sense within the context of the film. In many of his films, including Battleship Potemkin (1925), he combines a mix of shots to make a political statement. IntellectualĮisenstein’s favorite soviet montage was when a series of shots have a deeper meaning. The cutting has a fast pace suggesting chaos and panic which is perfect for the action on screen. The sequence is in action order and each shot is one second long. A perfect example of this is the famous shower scene from Alfred Hitchcock’s Psycho (1960). ![]() In this technique, you use all of the above three film montage editing types. In contrast, a shot of someone running is fast paced and will feature short length shots. For example, in tonal montage editing, a shot of a sleeping baby would create a calm emotion, and slow, longer shots. The type of image that you cut to decides the pace and shot length. This is when a shot sequence’s purpose is to create emotion. For example, in a montage of an action sequence, the shot length depends on the action pace but they are in the correct order of events. As a result, the edits can differ in length, but they are also in the correct order of the action. ![]() In this method, the editor cuts the sequence to purposely match the context of each shot. The metric montage can also follow a beat structure rule such as 2:4, which stands for 2 second shot, 4 second shot, and repeat. So, for example, a rule that each shot with your sequence will only last 2 seconds. This means cutting each shot within your montage sequence to the same length. The first type of film montage editing defined by Eisenstein is Metric. Some filmmakers will also use text or even still images to reveal more about the story or a character during a montage. It’s also common to not use dialogue but instead cut to music or voiceover narration. Many filmmakers choose to use quick cuts, one or two seconds long. ![]() Eisenstein also developed the five types of film montages that focused on emotion, which we have listed in detail below.įilm montage editing is not a complicated technique. In the 1920s, Soviet montage theory defined cinema techniques and tested new editing styles. Film Montage Editing Sergi Eisenstein (1898-1948) – Soviet MontageĪlthough Sergi Eisenstein did not invent film montage editing, he was one of the first filmmakers to study this method. Lastly, it can reveal something new such as character development. Another is to create tension, a fast-paced film montage can help create chaos on screen. For example, if you have many storylines in different locations and want to show what each character is doing at the same time. One reason might be to show a lot of information at once. Often this speeds up time, but there are other reasons to use this editing technique. So a film montage is when you assemble footage to create a new sequence. The word montage comes from a French word meaning ‘to mount’ or ‘to assemble’. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |